MONKEY MAJIK : Pak guru yang pintar bernyanyi

Monkey Majik adalah band Jepang terdiri dari dua bersaudara Kanada, Maynard dan Blaise Plant, yang keduanya adalah vocals dan gitar, drummer tax dan bassist Dick . Band yang kadang-kadang disebut sebagai “hibrida-band”, karena setengah dari anggota adalah orang asing dan lirik yang dinyanyikan dalam bahasa Inggris dan Jepang.

Sebagian besar dari musik band lintas telah dipromosikan melalui program televisi, commercials, dan film. Band telah dipilih sebagai “Duta Goodwill” untuk ulang tahun ke-80  relation jepang kanada

Maynard Plant dipindahkan ke Jepang pada tahun 1997 [2] untuk mengajar Bahasa Inggris setelah lulus dari Queen’s University di mana dia adalah presiden dari Alma Mater Society. Dia bisa bekerja sambil belajar Jepang sebagai Asisten Guru Bahasa. Blaise pindah ke Jepang pada tahun 2001 untuk melanjutkan band ini, setelah belajar drama di University of Lethbridge di Alberta dan menghabiskan beberapa waktu sebagai solo-artist. Logat jepangnya datang dengan cepat sebagai hasil dari hafalan lagu Jepang. Band dimulai sebagai hobi tetapi dengan cepat berubah serius pada tahun 2001 ketika mereka merilis EP pertama mereka yang disebut TIRED, pengatur dibiayai terbatas pada rilis 1000 copy tersedia di Tower Records di Sendai. EP yang dicapai pada posisi nomor satu penjualan untuk toko langsung selama enam bulan. Pada tahun 2002, mereka menandatangani dengan label rekaman UNDER Horse Records. Pada tahun 2003 band dirilis pertama full-length album “Spade”, sekali lagi hanya tersedia di Tower Records di Sendai. Album tetap nomor satu di posisi-toko penjualan untuk 13 bulan berturut-turut. “Spade” dirilis nasional pada tahun 2004. Band kedua panjang album, “eastview”, dirilis pada 2005. Pada musim gugur tahun yang sama band ditandatangani pada label besar avex.

Single pertama mereka merilis single melalui avex adalah “terbang” di tahun 2006. Single komersial yang telah berhasil, mencapai # 19 di Oricon chart. “Fly” dengan cepat diikuti dengan rilis single kedua mereka, “Around the World”, yang telah digunakan sebagai drama Seiyuuki dari tema lagu. “Around the World” mereka lolos menjadi satu, mencapai # 4 di Oricon grafik dan charting untuk 13 bulan. “Around the World” terjual 164.299 copy di tahun 2006, menjadi 62. Paling menjual dari satu tahun di Jepang.

Pada tahun 2007 mereka merilis Monkey Majik keempat panjang album “Sora wa maru de”, dimana lagu berjudul “Sora wa maru de” menjadi lagu pertama di Jepang Sejarah mencapai # 1 di USEN Permintaan Lagu sebelum dilepaskan. Sejak “TIRED” band telah menjual setiap tempat di Jepang, dan sering dianggap sign autographs .

Album mereka yang terbaru “TIME” membuka minggu pertama di # 2 di Oricon Chart.

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    Another aspect worth mentioning is the range of cryptocurrencies supported.
    Paybis doesn’t appear to limit itself to just the top coins.

    Instead, it offers access to a broader token selection, which might
    appeal to users who are experimenting. That said, I
    still wonder about things like liquidity, so it’s probably something potential users should investigate further.

    Security and compliance are also frequently mentioned in relation to Paybis.
    The platform emphasizes identity verification, which
    could be seen as reassuring for some users, though others might find it time-consuming.
    I’m honestly unsure where I stand on that, but it does suggest
    that Paybis is trying to operate as a long-term crypto and fiat marketplace.

    When it comes to fees and exchange rates, opinions seem divided.
    Some sources claim that Paybis is transparent with
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    methods. This isn’t uncommon in the crypto industry, but it does mean users should probably read the details
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    What initially caught my interest was the way Paybis seems
    to connect the gap between traditional finance and the crypto world.
    Many platforms focus strictly on crypto-to-crypto trades, but Paybis
    appears to allow users to exchange digital currencies using credit cards.
    I’m not claiming this process is flawless, but it does seem
    aimed at newcomers rather than only advanced traders.

    Another aspect worth mentioning is the range of cryptocurrencies supported.
    Paybis doesn’t appear to limit itself to Bitcoin and Ethereum only.
    Instead, it offers access to a broader token selection, which might appeal to users
    who are exploring different projects. That said, I still wonder about things like update frequency, so it’s probably something
    potential users should investigate further.

    Security and compliance are also frequently mentioned in relation to Paybis.

    The platform emphasizes regulatory compliance, which could be seen as protective for some users,
    though others might find it restrictive. I’m honestly unsure where I stand on that, but it does suggest that Paybis is trying to operate as
    a long-term crypto and fiat marketplace.

    When it comes to fees and exchange rates, opinions seem varied.
    Some sources claim that Paybis is transparent with pricing,
    while others mention that costs may vary by transaction. This isn’t uncommon in the crypto industry,
    but it does mean users should probably read the details carefully before making decisions.

    Overall, I wouldn’t say Paybis is perfect, but it
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    For anyone who is interested in regulated exchanges, spending some time reading more
    about Paybis could be useful. I’m still undecided myself, but it’s interesting enough to justify
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