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MONKEY MAJIK : Pak guru yang pintar bernyanyi

Monkey Majik adalah band Jepang terdiri dari dua bersaudara Kanada, Maynard dan Blaise Plant, yang keduanya adalah vocals dan gitar, drummer tax dan bassist Dick . Band yang kadang-kadang disebut sebagai “hibrida-band”, karena setengah dari anggota adalah orang asing dan lirik yang dinyanyikan dalam bahasa Inggris dan Jepang.

Sebagian besar dari musik band lintas telah dipromosikan melalui program televisi, commercials, dan film. Band telah dipilih sebagai “Duta Goodwill” untuk ulang tahun ke-80  relation jepang kanada

Maynard Plant dipindahkan ke Jepang pada tahun 1997 [2] untuk mengajar Bahasa Inggris setelah lulus dari Queen’s University di mana dia adalah presiden dari Alma Mater Society. Dia bisa bekerja sambil belajar Jepang sebagai Asisten Guru Bahasa. Blaise pindah ke Jepang pada tahun 2001 untuk melanjutkan band ini, setelah belajar drama di University of Lethbridge di Alberta dan menghabiskan beberapa waktu sebagai solo-artist. Logat jepangnya datang dengan cepat sebagai hasil dari hafalan lagu Jepang. Band dimulai sebagai hobi tetapi dengan cepat berubah serius pada tahun 2001 ketika mereka merilis EP pertama mereka yang disebut TIRED, pengatur dibiayai terbatas pada rilis 1000 copy tersedia di Tower Records di Sendai. EP yang dicapai pada posisi nomor satu penjualan untuk toko langsung selama enam bulan. Pada tahun 2002, mereka menandatangani dengan label rekaman UNDER Horse Records. Pada tahun 2003 band dirilis pertama full-length album “Spade”, sekali lagi hanya tersedia di Tower Records di Sendai. Album tetap nomor satu di posisi-toko penjualan untuk 13 bulan berturut-turut. “Spade” dirilis nasional pada tahun 2004. Band kedua panjang album, “eastview”, dirilis pada 2005. Pada musim gugur tahun yang sama band ditandatangani pada label besar avex.

Single pertama mereka merilis single melalui avex adalah “terbang” di tahun 2006. Single komersial yang telah berhasil, mencapai # 19 di Oricon chart. “Fly” dengan cepat diikuti dengan rilis single kedua mereka, “Around the World”, yang telah digunakan sebagai drama Seiyuuki dari tema lagu. “Around the World” mereka lolos menjadi satu, mencapai # 4 di Oricon grafik dan charting untuk 13 bulan. “Around the World” terjual 164.299 copy di tahun 2006, menjadi 62. Paling menjual dari satu tahun di Jepang.

Pada tahun 2007 mereka merilis Monkey Majik keempat panjang album “Sora wa maru de”, dimana lagu berjudul “Sora wa maru de” menjadi lagu pertama di Jepang Sejarah mencapai # 1 di USEN Permintaan Lagu sebelum dilepaskan. Sejak “TIRED” band telah menjual setiap tempat di Jepang, dan sering dianggap sign autographs .

Album mereka yang terbaru “TIME” membuka minggu pertama di # 2 di Oricon Chart.

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    Sunglasses, or dark glasses, have always guarded against strong sunlight, but is there more to “shades” than we think?

    The pupils of our eyes are delicate and react immediately to strong lights. Protecting them against light — even the brilliance reflected off snow — is important for everyone. Himalayan mountaineers wear goggles for this exact purpose.

    Protection is partly the function of sunglasses. But dark or colored lens glasses have become fashion accessories and personal signature items. Think of the vast and famous collector of sunglasses Elton John, with his pink lensed heart-shaped extravaganzas and many others.

    When did this interest in protecting the eyes begin, and at what point did dark glasses become a social statement as well as physical protection?
    The Roman Emperor Nero is reported as holding polished gemstones to his eyes for sun protection as he watched fighting gladiators.

    We know Canadian far north Copper Inuit and Alaskan Yupik wore snow goggles of many kinds made of antlers or whalebone and with tiny horizontal slits. Wearers looked through these and they were protected against the snow’s brilliant light when hunting. At the same time the very narrow eye holes helped them to focus on their prey.

    In 12th-century China, judges wore sunglasses with smoked quartz lenses to hide their facial expressions — perhaps to retain their dignity or not convey emotions.

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